Black
Orpheus : Music in African American Fiction from the Harlem Renaissance
to Toni Morrison by Sadi Samawi (Editor), Saadi Samawi
(Editor)
In twentieth-century
African American fiction, music has been elevated to the level
of religion primarily because of its Orphic, magical power to
unsettle oppressive realities, to liberate the soul and to create,
at least temporarily, a medium of freedom. This collection explores
literary invocations of music from the Harlem Renaissance to Toni
Morrison.
|